Olivetti Headquarters Stirling

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British Olivetti Headquarters - James Stirling / Michael ...

https://www.cca.qc.ca/en/archives/364164/james-stirling-michael-wilford-fonds/364165/professional-papers/367438/projects/388002/british-olivetti-headquarters

Scope and Content. File documents an unexecuted project for headquarters for British Olivetti, in Milton Keynes, England, United Kingdom. The project was abandonned in 1974. Material in this file was produced between 1970 and 1977. Several of the publication drawings for the project appeared in periodicals, books and catalogues from 1974 onwards.

James Stirling - Infamous Lines

https://cargocollective.com/InfamousLines/James-Stirling

Olivetti Headquarters (1971) // The presented drawing sets feature Stirling’s iconic worm’s eye view isometric projections and analyze them in terms of how Stirling utilized this drawing mode — to express how discrete programmatic and structural components work together — as well as how physically the drawing was produced with the parallel bar — in sequence of lines of specific direction.

James Stirling, Olivetti British Headquarters, 1973

https://www.pinterest.com/pin/288511919858373720/

Nov 12, 2015 · 12/nov/2015 - James Stirling, Olivetti British Headquarters, 1973

James Stirling Olivetti Headquarters

https://www.pinterest.com/pin/323696291945998878/

02.02.2018 - Автор пина:Gerri Witthuhn. Находите и прикалывайте свои пины в Pinterest!

027.James Stirling — Visual Research Laboratory

https://visualresearchlaboratory.com/post/james-stirling

Mar 07, 2021 · The works complex designed by James Stirling and Michael Wilford, with Walter Nageli in Germany was, for Stirling, the first major landscape-related project since the Olivetti Headquarters was designed in Milton Keynes (1971).

No house style: the drawings of Stirling and Wilford

https://www.architectsjournal.co.uk/practice/culture/no-house-style-the-drawings-of-stirling-and-wilford

Oct 13, 2015 · British Olivetti Headquarters, Milton Keynes For James Stirling · Drawing by Léon Krier · Ink, coloured pencil and graphite on paper · 1970-74 Here the wiggly wall – a form that makes a comeback later in the Staatsgalerie – is expressive of ‘free form’, loose space not confined by strict geometry such as a circle or square.

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